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Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Slim embodied this persona in an appearance on the televised Joe Pyne Show, where he wore a mask for the entire interview. The chapter describes the appeal of black masculinity for white men as a masquerade, whereby readers delighted in stories about black pimps, confidence men, and seducers while holding up traits capable of resisting society’s feminization. Instead, these books, following Norman Mailer’s conception of the “White Negro,” advanced stereotypes about black masculinity that doubled as fantasies of “authentic” manhood for a white readership. Slim’s Pimp: The Story of My Life and Trick Baby: The Biography of a Con Man and deCoy’s The Nigger Bible (all 1967) did not signal Holloway House’s budding social consciousness. Contrary to Morriss’s self-promotion, this chapter shows how Slim’s and deCoy’s books were originally marketed as sleaze. Every story about the origins of black pulp fiction has begun with this claim. For years, Bentley Morriss sold the idea that Holloway House had invited black writers into its orbit in the wake of the Watts riots of 1965. Holloway House’s first African American authors were Robert Beck, an ex-convict who went by the pen name Iceberg Slim, and Robert H.

Iceberg slim pimp pdf archive.org